My figures are flawless but imperfect. Human but eternal.

I am interested in how legends form and how intuition, memories, and beliefs get mixed in along the way.   Virtues are explored, mingling the mortal with the immortal; often revealing extraordinary qualities that are apparent with the everyday woman but not seen.

What are the most admired qualities can one possess?  These deities gave life, participated in war, harmonized the universe, nurtured man, and abide by their own rules.

These traits are revealed in the treatment of the surface, like a skin that scars and yet forgives.  Patterns and symbols are used to add hints of significance and interpretation.

With a background in printmaking, I approach the support as if it were a life-sized printing plate. The artwork is incised, scraped, burnished, built up with blocks of pigment and wax; drawn on; erased; layered and layered again. Wax, oil paint, gilders paste, pastel and graphite are used to create a shifting light that changes your perception while moving around the painting. It is this interaction with the textured surfaces and characters in the work that is most satisfying.

Short Biography

Born and raised in a small rural Iowa community, Mary Mello has settled in Storm Lake, Iowa and currently is Professor of Art at the Buena Vista University, Storm Lake, Iowa.  She earned her Master of Fine Arts degree in printmaking from the University of South Dakota, Vermillion in 1988 and a Bachelor of Arts degree from Buena Vista University (then Buena Vista College) in 1985.   Mello’s work has been in numerous invitational, juried and solo exhibitions throughout the nation. including Brooklyn Waterfront Gallery, New York, NY: Gallery Nord, San Antonio, TX; St Louis University Museum of Art, St Louis, ,MO; , Harmon Fine Arts Center, Des Moines, IA; Hearst Center for the Arts, Cedar Falls, IA; Quincy Art Center, Quincy, IL; State University of No. Dakota, Dickenson, ND; MacNider Art Museum, Mason City, IA; Blanden Memorial Art Museum, Fort Dodge, IA; Graceland College, Lincoln, NE; Sioux City Art Center, Sioux City, IA; Arts on Grand, Spencer, IA; and Clear Lake Arts Center, Clear Lake, IA.   Mello’s artwork was selected for the cover of Kay Siebler’s 2008 book, Composing Feminisms, and featured in the 2001 North Iowa Woman Magazine.